Press Release
The exhibition Undercuts is set up between two prototypes of preservation of the motif, two models of writing “the origin”, two monuments dedicated to the genealogy of the figures, two scenes of classification and taxonomy, two places shaping the observation: the zoo and the museum. In this space, the exhibition inserts two rhetorical figures, two settings dedicated to a certain optical technology: the mask and the portrait. The series entitled Contre-Dépouilles (Undercuts) consists of a...
