Press Release
Philippe Parreno’s solo exhibition at the Gropius Bau has various different modes of existence that will change over time. Some works reappear in a mutated form. Both films Anywhen (2017) and The Crowd (2018) have been entirely re-edited. The flower wallpaper, previously seen as a background element on the set of Parreno’s film Marilyn (2012), comes to the fore as an individual work covering a gallery wall. Hundreds of drawings of fireflies flash on a...
